S4: Shakespeare Extract Analysis
How to analyse Shakespeare extracts effectively - close reading, quotation selection, and linking to the whole play.
How to analyse Shakespeare extracts effectively - close reading, quotation selection, and linking to the whole play.
Shakespeare questions typically give you:
| Focus | Example Question |
|---|---|
| Character | "How does Shakespeare present Macbeth in this extract?" |
| Theme | "Explore how Shakespeare presents ambition in this extract" |
| Relationship | "How does Shakespeare present the relationship between Macbeth and Lady Macbeth?" |
| Language/Technique | "How does Shakespeare use language to create tension?" |
First reading: Get the gist - what's happening? Who's speaking?
Second reading: Look for techniques - language, structure, form
Mark up the extract with:
Identify 3-4 key quotations to analyse in depth. Don't try to cover everything - go deep on specific moments.
| Good Quotation | Why |
|---|---|
| "Stars, hide your fires" | Imagery, imperative, symbolism, links to whole play |
| "fair is foul" | Paradox, theme of appearance vs reality, establishes witches |
| "dagger of the mind" | Metaphor, oxymoron, psychological insight |
Poor: "He kills the king" - too vague, no language to analyse
Don't just drop quotes in - embed them in your analysis:
Poor: This shows Macbeth is ambitious. "I have no spur to prick the sides of my intent." He wants to be king.
Good: Macbeth acknowledges his "vaulting ambition" as his only motivation, noting he has "no spur to prick the sides of my intent." The metaphor of horse-riding suggests he is forcing himself forward without proper justification.
Analyse specific words, not whole sentences:
Extract: "Will all great Neptune's ocean wash this blood / Clean from my hand?"
Connect imagery in extract to the whole play:
In the extract, Macbeth sees blood on his hands. This connects to:
| Feature | What to Look For | Example |
|---|---|---|
| Verse vs prose | Why this form? | Prose = lower status or madness |
| Line length | Broken lines = emotional disturbance | Fragmented after murder |
| Soliloquy | Direct access to thoughts | "Is this a dagger" |
| Interruption | Power dynamics | Lady Macbeth interrupts Macbeth |
The extract starts and ends where it does for a reason. Ask:
About 1/3 of marks are for whole-play knowledge. You need to show:
Extract analysis: Macbeth's use of the imperative "Stars, hide your fires" reveals his desire for darkness to conceal his "black and deep desires."
Link to whole play: This moment establishes Macbeth's awareness of his own evil, which contrasts sharply with his later bravado. As the play progresses, Macbeth embraces darkness fully - ordering Banquo's murder by night, and later declaring he has "almost forgotten the taste of fears." His initial desire to hide his ambitions evolves into a complete moral descent, culminating in his nihilistic recognition that life is "a tale told by an idiot."
For each major character and theme, memorise 2-3 key moments outside the extract:
| Topic | Key Moments |
|---|---|
| Macbeth's ambition | Prophecy, "dagger" soliloquy, "tomorrow" speech |
| Lady Macbeth | "Unsex me", drugging guards, sleepwalking scene |
| Guilt | Blood on hands, Banquo's ghost, sleepwalking |
| Kingship | Duncan's virtues, Macbeth's tyranny, Malcolm's restoration |
| AO | Focus | Weight |
|---|---|---|
| AO1 | Understanding, critical style, personal response | ~40% |
| AO2 | Language, form, structure analysis | ~40% |
| AO3 | Context (historical, social, literary) | ~20% |
| Mistake | Fix |
|---|---|
| Not linking to whole play | Always add a paragraph connecting to other scenes |
| Retelling the story | Analyse language and effect, don't just describe |
| Quoting too much | Focus on specific words, analyse in depth |
| Feature spotting | Always explain the EFFECT of techniques |
| Ignoring structure/form | Consider verse, soliloquy, pacing, not just language |
Q1: What should you look for in a close reading of an extract?
Q2: How do you embed a quotation effectively?
Q3: What's the difference between extract analysis and whole-play linking?
Q4: How much time should you spend on the extract vs whole play?
Mark allocation: Typically 20 marks for extract analysis, 10 marks for whole-play links. Time: 20 mins on extract, 10 mins on whole play. Don't neglect either part.
What examiners look for: Close word-level analysis of extract quotations; discussion of form and structure within the extract; sustained links to the wider play; integrated context where relevant; clear, analytical argument.
Students often ignore the whole-play requirement. Wrong: Writing only about the extract with no references to other scenes. Correct: After analysing a quotation from the extract, add: "This moment foreshadows Macbeth's complete moral collapse in Act 5, where his nihilistic recognition that life is 'a tale told by an idiot' reveals how the ambition we see germinating here has consumed his entire humanity."
Students often retell the extract instead of analysing it. Wrong: "In this extract, Macbeth sees a dagger and then goes to kill Duncan." Correct: "The oxymoron 'dagger of the mind' fuses physical weapon with mental hallucination, revealing that Macbeth's guilt has already begun to fracture his perception before the murder even occurs."
Students often quote too much from the extract. Wrong: Quoting whole speeches without zooming in on specific words. Correct: Select 3-4 key words or short phrases for detailed analysis. Focus on the adjective, the verb, the image — not the whole soliloquy.
30 marks: Starting with this extract from Act 2 Scene 1, explore how Shakespeare presents Macbeth's state of mind before the murder of Duncan.
Shakespeare presents Macbeth's pre-murder state of mind as a battleground between ambition and conscience, with guilt already fracturing his perception. The interrogative "Is this a dagger which I see before me, the handle toward my hand?" opens with uncertainty — the question reveals a mind unable to distinguish reality from projection, and the detail "the handle toward my hand" suggests the dagger invites him, as if fate itself is beckoning. The oxymoron "dagger of the mind" crystallises this tension: it is simultaneously a weapon (suggesting murderous intent) and a mental fabrication (suggesting psychological torment). The preposition "of" fuses the two — Macbeth's mind has become a weapon against itself. The imagery of "wicked dreams abuse the curtain'd sleep" associates the forthcoming murder with both sorcery and violation — the adjective "wicked" and verb "abuse" frame regicide as a transgressive act that corrupts even the sanctuary of sleep. This foreshadows Macbeth's later recognition that he has "murdered sleep," a structural echo that deepens the meaning: what begins as a hallucinated dagger becomes a permanent psychological wound. By Act 5, Macbeth has moved from hallucination to nihilism — "Life's but a walking shadow" — yet the seeds of this emptiness are already visible here, in the gap between Macbeth's "I go, and it is done" and the horror he knows will follow. For a Jacobean audience, the supernatural vision of a dagger would have carried additional weight — is this a genuine demonic temptation, or the projection of a guilty conscience? Shakespeare deliberately withholds the answer, making the audience share Macbeth's uncertainty.
Mark scheme: AO1 (5/5) — sustained, perceptive argument with whole-play links; AO2 (6/6) — detailed word-level analysis of interrogative, oxymoron, preposition, imagery, structural echo; AO3 (4/4) — integrated context (supernatural beliefs, Jacobean audience); AO4 (4/4) — sophisticated, controlled academic style.
Extract questions assess all four AOs simultaneously. At grade 5, students describe what happens in the extract and make basic whole-play references. At grade 7, students analyse language in the extract with some precision and make relevant whole-play links, though context may be bolted on. At grade 9, students demonstrate sophisticated close reading: they zoom in on individual words, analyse form (verse/prose, soliloquy), discuss structural features within the extract, and weave whole-play connections seamlessly. The extract is treated not as a standalone passage but as a window into the play's wider concerns. Grade 9 responses also consider the extract's position in the play: why does this moment come here? What has led to it? What follows? They understand that an extract is always part of a larger structural and thematic pattern, and they use it as a launchpad for exploring the play's deepest meanings.
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