MS8: Music Video
Music video as a media form: purposes, conventions, performance and narrative types, and how artists use video to construct star image and target audiences.
Music video as a media form: purposes, conventions, performance and narrative types, and how artists use video to construct star image and target audiences.
Music video as a media form: purposes, conventions, performance and narrative types, and how artists use video to construct star image and target audiences.
For Music Video, you must know:
Q: What are the main purposes of a music video?
Q: Explain Andrew Goodwin's key features of music videos.
Q: Evaluate the role of music videos in constructing star image.
✗ Music videos just show the artist singing the song. ✓ Music videos use performance, narrative, and conceptual elements to create meaning beyond the song. They construct star image, create visual narratives, and use intertextuality and symbolic codes to communicate with audiences.
✗ All music videos objectify women. ✓ While many videos do objectify women (the male gaze), this is not universal. Some artists deliberately challenge this convention, and female artists increasingly control their own representation. Generalising ignores the diversity of music video production.
✗ YouTube killed music television. ✓ YouTube replaced MTV as the primary platform for music videos, but MTV adapted by shifting to reality TV and other content. Music videos still exist but are consumed differently — on demand rather than scheduled.
Analyse how one of your music video CSPs constructs the artist's star image. [12 marks]
Music videos are a primary site for the construction and maintenance of star image, using visual, audio, and narrative codes to create a persona that audiences connect with. Dyer argues that stars are constructed images, not real people. In music videos, this construction happens through deliberate choices of costume, setting, performance style, and narrative positioning. The artist's star image must be both familiar enough to be recognisable and fresh enough to maintain audience interest. Goodwin's features help analyse this construction. Record labels demand frequent close-ups of the artist because the star image is the primary selling point — audiences connect with the face and persona, not just the music. Performance videos create authenticity (the artist as musician), while narrative videos add depth (the artist as storyteller or character). The relationship between lyrics and visuals is crucial for star image. Amplification — where the video expands on the song's themes rather than simply illustrating them — creates a richer star persona. This shows the artist as creative and thoughtful, adding cultural value. Intertextual references position the artist within a cultural lineage, showing sophistication and cultural knowledge. This appeals to audiences who value artistic credibility. The artist's star image may also be constructed through what Goodwin calls the 'notion of looking' — cameras, mirrors, and screens within the video draw attention to the act of looking itself, making the audience aware of their own gaze and the artist's awareness of being watched. Overall, music videos are essential tools for star construction, and analysing their codes reveals how the artist's persona is deliberately crafted for commercial and cultural purposes.
AO1 (Knowledge & Understanding): Demonstrate knowledge and understanding of music video, including key concepts, theories, and media contexts.
AO2 (Analysis & Evaluation): Analyse and evaluate music video using relevant theories and frameworks. Consider different perspectives and reach reasoned conclusions.
AO3 (Create): Apply understanding of music video to practical media production, demonstrating how theoretical knowledge informs creative decisions.
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